On April 15, 2025, Midway Journal published Julie Elise Landry's poem "PHOBIATA" in Volume 19, Issue 2 of the online magazine.

Midway Journal describes its namesake—a midway—as "a place of boundary crossing," and work published in the journal "aims to complicate and question the boundaries of genre, binary, and perspective. [The work] offers surprises and ways of re-seeing, re-thinking, and re-feeling: a veritable banquet of literary fare."

Landry's poem "PHOBIATA" uses field composition, enjambment, and distressing imagery to instill a sense of disorientation and anxiety in the reader, creating leaps in perspective while contemplating bodies, labor, and estrangement.

On October 1, 2024, Hearth & Coffin Literary Journal published Julie Elise Landry's poems "Artemis Revealed at Gargaphië" and "Director of People & Operations" in the online journal's Vol. 4, No. 1 "Gossip Horror" issue.

Hearth & Coffin "places priority on provocative, exploratory, and accessible works that thrill and open the minds of readers." The "Gossip Horror" issue features poetry, fiction, and non-fiction "written as though you're sharing a freaky story you heard through the grapevine about your neighbor, the woods on the edge of town, the Oval Office - whatevs."

Landry's poem "Artemis Revealed at Gargaphië" imagines the transformation and death of the mythological figure Actaeon from the perspective of the goddess Artemis. The poem was directly inspired by the essay "The Gender of Sound" by Anne Carson in her collection Glass, Irony, and God.

"Director of People & Operations" likewise focuses on a surreal transformation—one that befalls an office employee, as related by her manager.

On September 30, 2024, A-minor Magazine published Julie Elise Landry's poem "Teething" in the online journal's September 2024 issue.

A-minor Magazine states, "We lean toward the surreal, experimental, ambivalent, darkly lyrical, and wildly imaginative... We seek writing that is unconventional, succinct, and emotive."

Landry's poem "Teething" focuses on odd, intrusive thoughts—and on how those mild destructive impulses provide an imagined source of connection with the outside world.

The artwork above is Detritus #6 by Eryk Wenziak, which is A-minor Magazine's online avatar.

HOOT Review published Julie Elise Landry's poem "Estranged" in the 112th, September 2024 issue of its online review of mini poetry and prose.

According to the publication's website, HOOT Review seeks to publish work "that is audacious, surprising, and energetic." Some poems are mailed to recipients on postcards and accompanied with relevant artwork. Poems published in the online format, like Landry's, include recorded readings of the poem by the poet as well as relevant artwork.

​"Estranged" is a four-line lyric poem accompanied by Landry's brief reading and a crayon collage, drawn and animated by the poet into a piece of GIF artwork.

On May 1, 2024, Julie Elise Landry was announced as an incoming Associate Poetry Editor of Bayou Magazine, the annual, international literary magazine published by the University of New Orleans.

Bayou's mission is "to publish exceptional, exciting work by both established and emerging writers" in the fields of poetry, fiction, nonfiction, and play-writing.

As an Associate Poetry Editor, Julie will help the rest of the editorial team read and select poems for publication, proofread galleys, and coordinate volunteer poetry readers. She served as a poetry reader from Fall 2022 through Spring 2024.

She will begin in her role as Associate Poetry Editor in Summer 2024.